The Take-Over owes its origin to a dream experienced by the author some years ago. A nightmare described in his foreword as ‘recognizably relevant to changes in our social and public life… when the story was written.’
The setting is a capital city after a coup. The protagonist, a writer, is forbidden to write and instead is appointed court fool, answerable to the Director of the state. A Director who provides so inappropriate a role that it consequently drives our writer to the ultimate act of defiance.
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